Fxphd nuk231 part4
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Methods for blending separated grain structures and the overall grain workflow issues. The BBox through the 3D space.Ĭlass 6: FX and process extraction. Nodes that modify the appearance of the Bbox: preserving or discarding, cropping and handling the information beyond the format. The additive and the subtractive synthesis of compositing the CG Beauty.Ĭlass 5: The Boundary Box (BBox) demystified. one-pass-per-file philosophy: Handling, compacting and expanding options.
#Fxphd nuk231 part4 serial#
serial structure of a script, pros and cons.Ĭlass 4: Handling a CG Multipass: implicit and explicit structures for building the Beauty: pros and cons. explicit compositing streams: handling channels on a multichannel structure, masking procedures and issues, optimization of multistream parallel operations. Applying transformations within other non-transformation nodes: Roto & RotoPaint.Ĭlass 3: Implicit vs. Bypassing nodes that break the concatenation. All the Merge operations explained.Ĭlass 2: Concatenation of transformations: theory and practices for reducing the impact of filter and antialiasing issues. The complete guide to understand the Node Graph and its iconography. Tom Hooper, 2011).Ĭlass 1: Understanding mind maps structures and organizing a nodal graphic representation of a compositing: from ideas to nodes. Andrew Stanton, 2012), Lés Miserables (Dir. David Yates, 2010), Pirates of the Caribbean: On Stranger Tides (Dir. Christopher Nolan), Harry Potter and The Deathly Hollows: Part I (Dir. His film credits include The Dark Knight Rises (Dir. Victor has worked and researched with Oscar® winner studios such as Cinesite and Double Negative between others. Member of Visual Effects Society and usual collaborator of Nukepedia. As a senior digital compositing artist and 2D Technical Director he has a fine combination of both artistic and technical understanding of film postproduction and visual effects. Nuke™ Official Certified Trainer by The Foundry®.
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Victor Perez is a senior visual effects artist with over 12 years of production experience in computer graphics, digital grading and visual effects along different countries. Being efficient should be as natural as breath, you don’t need to focus on it: you just do it without even thinking about that while your focus is where you really need it the most.Īfter years handling the highest quality standards in major VFX houses, prof Victor Perez brings you a selection of his best practices, procedures, methods, suggestions, advice, optimizations, tips and tricks covering the main areas of compositing that you find in your day-by-day basis to become an efficient compositor and make your NUKE™ scripts look like Swiss clockwork. Preserving high quality standards is as much important as deliver your best shot on-time. In order to preserve an efficient workflow within a shot and across a whole project a smart methodology is required. Sometimes the creative process of digital compositing can be extremely complex specially when artists have too many technical tasks to focus on at the same time. FXPHD NUK231 NUKE Compositing Best Practices